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WHERE DO WE MIGRATE TO?
Curated by Niels Van Tomme, Director of Arts and Media at Provisions Learning Project and organized with the Center for Art, Design and Visual Culture
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REVISITING HISTORIES: BIGGERS, GEYER/ORTIZ
Revisiting Histories conceptualizes history as a multifaceted field of meaning and narrative, intentionally constructed and maintained by powerful social and political structures. Taking the distinct artistic
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RES PUBLICA DES USONIA: SPACE AS ESSAY
This exhibition documents two years of community and public art projects produced by the Floating Lab Collective, many of which were part of Provisions’
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CLOSE ENCOUNTERS: FACING THE FUTURE
Presented by Provisions Library, Close Encounters: Facing the Future explores the national art initiative, focusing on social activist art. Artists include the Beehive Collective, Mel Chin, Mildred
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THE BIG PICTURE: PROVISIONS FOR SOCIAL CHANGE
The Big Picture, presented by Provisions Library, displays the work of artists Barnstormers, Nina Berman, Iona Rozeal Brown, Sue Coe, Brett Cook, Carmen Lomas Garza,
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OTHER THAN ART
Other than Art features the work of collaborators Jennifer Allora and Guillermo Calzadilla, Ivan Navarro, and Elissa Levy. Artworks by the renowned Puerto Rican team
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THE INNOCENTS: HEADSHOTS
This compelling exhibition presents photographic portraits of 45 wrongfully convicted individuals who were exonerated through DNA evidence. While police “mugshots” and photo arrays have routinely
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BODY LANGUAGES
If the body is itself a complex structure, the meanings we project onto it are doubly complex. Our contemporary reading of the body, particularly the
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DEE DEE DOES UTOPIA
Deborah Lawrence, Beachtopia, Acrylic, collage, and varnish on rag paper, 37×31 inches, 2005. Deborah Lawrence’s beguiling collage-paintings mix magic and politics, whimsy and anger, a
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