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THE EMPTY CITY

The Empty City, featuring the work of Yun-Fei Ji, was organized by the Contemporary Art Museum St. Louis and curated by Shannon Fitzgerald. The exhibition was
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ERACE-ING ART HISTORY

Titus Kaphar’s “Visual Quotations” series is comprised of meticulously crafted paintings deriving from the portrayal of black people in 18th and 19th century Western painting.
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HALL OF MIRRORS

The portraits by Brett Cook featured in Hall of Mirrors, made with gold paint pen on black paper, depict artists and writers who inspired and
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WHERE WE COME FROM

For the project Where We Come From, Emily Jacir posed a seemingly simple question to Palestinians around the world. “If I could do something for
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ILLEGAL ART

Illegal Art features the work of Kembrew McLeod and Eric Doeringer. The exhibition was on display April 26, 2003 – June 7, 2003. In
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ROOTS & UPROOTS: CHRONICLES OF SUSTENANCE AND DEFIANCE

Roots and Uproots: Chronicles of Sustenance and Defiance features the work of Hollis Chatelain, Carmen Lomas Garza, Virginia Harris, Deborah F. Lawrence, Judith Lowry, Jaune
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HUNGRY HEADS

Hungry Heads features the work of Mildred Howard, Lisa Kokin, Meridel Rubenstein, Joyce Scott, Pat Owec, and Melissa Zink. The exhibition was on display September
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RENEGADE PORTRAITS

Renegade Portraits features the work of Amalia Amaki, Mildred Howard, Lisa Kokin, Amalia Mesa-Bains, Joyce Scott, Tabitha Vevers, and Melissa Zink. The exhibition was on
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CONSEQUENCES OF EMPIRE

Consequences of Empire features the work of Hung Liu, Judith Lowry, Jaune Quick-to-See-Smith, Meridal Rubenstein, Betye Saar, Penny Sisto, and Renee Stout. The exhibition was
PROJECTS
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